by Hugh Hunter
When it comes to the question of race, our 200-year national theater has gone full circle. After a long history of ignoring the role race plays in American life, modern day theater is now preoccupied with its importance. In “Race” (2009), now running at Stagecrafters, playwright David Mamet tosses his penny into the pond.
The plot is stereotypically simple. Charles Strickland, a wealthy white man, stands accused of raping a young black woman in a hotel room. The law firm of Lawson and Brown struggles to decide if it wants to accept the case. Evidence to support Strickland’s guilt […] Read more